Why Black Satire Is the Art Form for Our Absurd Age
Last year, Everett published “James,” his reimagining of the American classic “The Adventures of Huckleberry Finn,” told through the voice of Mark Twain’s enslaved Black character Jim. In the strictest sense, “James” employs parody and pastiche, drawing broadly from Twain’s plot and characters but endowing its first-person narrator with the wit and eloquence that his…
